ticket master phone number

Video for Reface DX programming tutorial voice "Wave Example" -To see the realtime waveform for this voice, check out https://youtu.be/jA109EoM5xo -To the the realtime spectrogram, check out https://youtu.be/CqZQ3K-Xg0k

Yamaha Reface DX demo sound. "Time Vortex" is what we used to call a 'showcase' sound, a patch we'd put in the presets to show off the capability and versatility of the synthesis engine with an on-board demo sequence. Though a 'showcase' sound may have a specialized application as a demo sound, its other purpose is to be an example for learning unique or unusual programing tricks. Anyway, this is a 'split' sound with a repeating triplet-eighth note synth bass in the left hand, and a mellow FM sawtooth timbre in the right hand. Inspired by an iconic Radiophonic Workshop television theme. So, Who's your Doctor?

Accompanying video for Reface DX voice "Wave Example" showing the realtime spectrum harmonic changes, as referenced in the FM Synthesis programming article on Yamahasynth.com You see the initial sawtooth wave harmonic series of all the integer harmonics (or overtones) created from Operators 1 and 2 with both Ops 1 & 2 frequency ratios of 1.00. Then as Op.2 level fades out, Operator 3 fades in set at a ratio of 2.00. The ratio of 1.00 for Op 1 and 2.00 for Op.3 creates a square wave timbre with only odd numbered integer harmonics, and the spectrogram shows the even harmonics fading out leaving just the odds. Finally, Op.3 fades out and Operator 4 fades in with a non-integer ratio of 4.77. The ratios of 1.00 for Op.1 and 4.77 for Op.4 creates non-integer overtones, and the spectrogram shows how these come in and create the non-integer (or inharmonic) overtones of a metallic/bell timbre.

Companion video for Yamaha Reface DX tutorial article example "Brass Tutorial Voice", a solo trumpet type sound

Tutorial video for the Yamaha Reface DX voice "Lush Pad Example" as discussed in the FM Synthesis Programming article series "Manny's Modulation Manifesto" on Yamahasynth.com Uses Algorithm 8 with two, 2-OP stacks to create a thicker, detuned 'two oscillator' style pad. Though with only one Modulator in each stack, less harmonic control and complexity is possible compared to the example voice "Complex Pad Example" that uses Algorithm 5 that has 3 Modulators. For this example I choose more Carriers and less Modulators for more 'thickness' at the expense of control and complexity compared to Algorithm 5.

Accompanying video for Reface DX voice "Wave Example" showing the realtime wave shape changes, as referenced in the FM Synthesis programming article on Yamahasynth.com You see the initial sawtooth wave shape created from Operators 1 and 2 with both Ops 1 & 2 frequency ratios of 1.00. Then as Op.2 level fades out, Operator 3 fades in set at a ratio of 2.00. The ratio of 1.00 for Op 1 and 2.00 for Op.3 creates a square wave shape. Finally, Op.3 fades out and Operator 4 fades in with a non-integer ratio of 4.77. The ratios of 1.00 for Op.1 and 4.77 for Op.4 creates non-integer overtones, and thus the wave form shows the complex shape of a metallic/bell timbre.

Reface DX programming example showing the difference between changing operator Level vs operator Feedback

Emulating Yamaha Montage motion control style sounds using pure FM synthesis (no filters) on the Yamaha SY99

Yamaha SY series synthesis of true analog style Pulse Width Modulation. There's a few videos around that attempt to show how to do this with Yamaha style FM (i.e. Phase Modulation) synthesis on some soft synths but they're basically all incorrect or crude approximations. The true recreation of analog style PWM with fully controllable pulse width is acutally very simple - Modulate a Square Wave Carrier with a Sawtooth Wave Modulator that is phase shifted (offset) 90 degrees. Then the Index (modulation level) controls the width of the pulse. If Index is zero - then it's a square wave (50% pulse). In this example with the modulation level of about 114, we get a 90+% pulse wave. Since the modulation level is easily controllable by an envelope, LFO, velocity or even all three, you are able to get the classic analog synth PWM behaviors

Tutorial voice 'Synth Bass Example' as referenced in the FM synthesis programming article series "Manny's Modulation Manifesto" on Yamahasynth.com

Tutorial video for the Reface DX voice "Lead Example" as referenced in the FM synthesis programming articel series on Yamahasynth.com

Tutorial video for the Reface DX example voice "Fixed Carrier Example" as discussed in the FM synthesis programming article series "Manny's Modulation Manifesto" on Yamahasynth.com This voice demonstrates the effect of using a fixed frequency Carrier Operator set at a very low sub audio frequency value to create a unique chorus/detune/phasing effect. Note: Audio is in mono. to hear demo example of this voice in stereo see https://soundcloud.com/manny-fernande...

Tutorial video for the Reface DX voice "Bad Transistor 2" as discussed in the FM synthesis article series "Manny's Modulation Manifesto" on Yamahasynth.com. This video demonstrates the concept of overmodulation.

Companion video for Yamaha Reface DX tutorial article example "Synth Brass Tutorial Voice", an analog style dual oscillator synth brass sound

Programming tutorial for the Yamaha Reface DX voice Wash Strings 3. This is fat & thick synth string sound not typical of DX7 style FM. The analog, pulse width modulation style richness of this sound is achieved using the Reface DX's ability to pitch modulate individual operators. This creates the continuous harmonic shifting and detuning characteristics of layered analog Sawtooth/PWM waveforms.

Tutorial video for the Reface DX voice "Octa Vio" referenced in the FM synthesis programming article series "Manny's Modulaiton Manifesto" on Yamahasynth.com . This voice highlights the difference in articulation and phrasing behaviors created by he Modulator Envelopes in mono mode vs. poly mode.

Demonstration example of an "extreme FM patch" to showcase the broad versatility of FM for harmonic creation and timbral control. Using the Yamaha SY99 for it's ability to have 3 feedback loops, patchable Modulator-Operator routings, loopable envelopes and Operator phase control. The final resulting patch evolves with a multitude of varied & unique timbral behaviors in a manner very similar to a massive modular system. Includes the FM resynthesis of true Pulse Width Modulation (PWM) for that classic analog flavor. I used the same 2AFM Voice assigned to four parts of a Multi, then used the Master Controller Mode to play 4 MIDI channels simultaneously to effective create a 2-note polyphonic layered "8AFM" voice. The entire sound demo is playing and holding only notes D2 and D3. The sound is repeated a second time with the effects bypassed.

Tutorial video for the Yamaha Reface DX voice "Complex Pad Example" as discussed in the FM Synthesis Programming article series "Manny's Modulation Manifesto" on Yamahasynth.com Uses Algorithm 5 with three Modulators to allow for versatile control and complex harmonic structures. However, with only one Carrier it's like a 'single oscillator' sound and somewhat thin on its own requiring the Effects to 'thicken' it up. In contrast to the voice "Lush Pad Example" that uses Algorithm 8 with two, 2-OP stacks that create a thicker, detuned 'two oscillator' style pad, for this example I chose more Modulators for the control and complexity vs 'thicker' with less control and complexity using Algorithm 8.