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Yamaha SY series synthesis of true analog style Pulse Width Modulation. There's a few videos around that attempt to show how to do this with Yamaha style FM (i.e. Phase Modulation) synthesis on some soft synths but they're basically all incorrect or crude approximations. The true recreation of analog style PWM with fully controllable pulse width is acutally very simple - Modulate a Square Wave Carrier with a Sawtooth Wave Modulator that is phase shifted (offset) 90 degrees. Then the Index (modulation level) controls the width of the pulse. If Index is zero - then it's a square wave (50% pulse). In this example with the modulation level of about 114, we get a 90+% pulse wave. Since the modulation level is easily controllable by an envelope, LFO, velocity or even all three, you are able to get the classic analog synth PWM behaviors

Demonstration example of an "extreme FM patch" to showcase the broad versatility of FM for harmonic creation and timbral control. Using the Yamaha SY99 for it's ability to have 3 feedback loops, patchable Modulator-Operator routings, loopable envelopes and Operator phase control. The final resulting patch evolves with a multitude of varied & unique timbral behaviors in a manner very similar to a massive modular system. Includes the FM resynthesis of true Pulse Width Modulation (PWM) for that classic analog flavor. I used the same 2AFM Voice assigned to four parts of a Multi, then used the Master Controller Mode to play 4 MIDI channels simultaneously to effective create a 2-note polyphonic layered "8AFM" voice. The entire sound demo is playing and holding only notes D2 and D3. The sound is repeated a second time with the effects bypassed.