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Video for Reface DX programming tutorial voice "Wave Example" -To see the realtime waveform for this voice, check out https://youtu.be/jA109EoM5xo -To the the realtime spectrogram, check out https://youtu.be/CqZQ3K-Xg0k

Yamaha Reface DX demo sound. "Time Vortex" is what we used to call a 'showcase' sound, a patch we'd put in the presets to show off the capability and versatility of the synthesis engine with an on-board demo sequence. Though a 'showcase' sound may have a specialized application as a demo sound, its other purpose is to be an example for learning unique or unusual programing tricks. Anyway, this is a 'split' sound with a repeating triplet-eighth note synth bass in the left hand, and a mellow FM sawtooth timbre in the right hand. Inspired by an iconic Radiophonic Workshop television theme. So, Who's your Doctor?

Accompanying video for Reface DX voice "Wave Example" showing the realtime spectrum harmonic changes, as referenced in the FM Synthesis programming article on Yamahasynth.com You see the initial sawtooth wave harmonic series of all the integer harmonics (or overtones) created from Operators 1 and 2 with both Ops 1 & 2 frequency ratios of 1.00. Then as Op.2 level fades out, Operator 3 fades in set at a ratio of 2.00. The ratio of 1.00 for Op 1 and 2.00 for Op.3 creates a square wave timbre with only odd numbered integer harmonics, and the spectrogram shows the even harmonics fading out leaving just the odds. Finally, Op.3 fades out and Operator 4 fades in with a non-integer ratio of 4.77. The ratios of 1.00 for Op.1 and 4.77 for Op.4 creates non-integer overtones, and the spectrogram shows how these come in and create the non-integer (or inharmonic) overtones of a metallic/bell timbre.

Companion video for Yamaha Reface DX tutorial article example "Brass Tutorial Voice", a solo trumpet type sound

Tutorial video for the Yamaha Reface DX voice "Lush Pad Example" as discussed in the FM Synthesis Programming article series "Manny's Modulation Manifesto" on Yamahasynth.com Uses Algorithm 8 with two, 2-OP stacks to create a thicker, detuned 'two oscillator' style pad. Though with only one Modulator in each stack, less harmonic control and complexity is possible compared to the example voice "Complex Pad Example" that uses Algorithm 5 that has 3 Modulators. For this example I choose more Carriers and less Modulators for more 'thickness' at the expense of control and complexity compared to Algorithm 5.

Accompanying video for Reface DX voice "Wave Example" showing the realtime wave shape changes, as referenced in the FM Synthesis programming article on Yamahasynth.com You see the initial sawtooth wave shape created from Operators 1 and 2 with both Ops 1 & 2 frequency ratios of 1.00. Then as Op.2 level fades out, Operator 3 fades in set at a ratio of 2.00. The ratio of 1.00 for Op 1 and 2.00 for Op.3 creates a square wave shape. Finally, Op.3 fades out and Operator 4 fades in with a non-integer ratio of 4.77. The ratios of 1.00 for Op.1 and 4.77 for Op.4 creates non-integer overtones, and thus the wave form shows the complex shape of a metallic/bell timbre.

Reface DX programming example showing the difference between changing operator Level vs operator Feedback

Tutorial voice 'Synth Bass Example' as referenced in the FM synthesis programming article series "Manny's Modulation Manifesto" on Yamahasynth.com

Tutorial video for the Reface DX voice "Lead Example" as referenced in the FM synthesis programming articel series on Yamahasynth.com

Tutorial video for the Reface DX example voice "Fixed Carrier Example" as discussed in the FM synthesis programming article series "Manny's Modulation Manifesto" on Yamahasynth.com This voice demonstrates the effect of using a fixed frequency Carrier Operator set at a very low sub audio frequency value to create a unique chorus/detune/phasing effect. Note: Audio is in mono. to hear demo example of this voice in stereo see https://soundcloud.com/manny-fernande...

Tutorial video for the Reface DX voice "Bad Transistor 2" as discussed in the FM synthesis article series "Manny's Modulation Manifesto" on Yamahasynth.com. This video demonstrates the concept of overmodulation.

Companion video for Yamaha Reface DX tutorial article example "Synth Brass Tutorial Voice", an analog style dual oscillator synth brass sound

Performance edits for Reface DX sound Bassline Synth 2, showing range of bass sounds possible with easy front panel edits.

Programming tutorial for the Yamaha Reface DX voice Wash Strings 3. This is fat & thick synth string sound not typical of DX7 style FM. The analog, pulse width modulation style richness of this sound is achieved using the Reface DX's ability to pitch modulate individual operators. This creates the continuous harmonic shifting and detuning characteristics of layered analog Sawtooth/PWM waveforms.

Performance demo of Yamaha Reface DX voice Hyperion. "The sound of the solar winds emanating from distant stars....." A constantly shifting, swirling, textural synth pad. Play big chords over octaves or tight clusters

Tutorial video for the Reface DX voice "Octa Vio" referenced in the FM synthesis programming article series "Manny's Modulaiton Manifesto" on Yamahasynth.com . This voice highlights the difference in articulation and phrasing behaviors created by he Modulator Envelopes in mono mode vs. poly mode.

Tutorial video for the Yamaha Reface DX voice "Complex Pad Example" as discussed in the FM Synthesis Programming article series "Manny's Modulation Manifesto" on Yamahasynth.com Uses Algorithm 5 with three Modulators to allow for versatile control and complex harmonic structures. However, with only one Carrier it's like a 'single oscillator' sound and somewhat thin on its own requiring the Effects to 'thicken' it up. In contrast to the voice "Lush Pad Example" that uses Algorithm 8 with two, 2-OP stacks that create a thicker, detuned 'two oscillator' style pad, for this example I chose more Modulators for the control and complexity vs 'thicker' with less control and complexity using Algorithm 8.