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Video for Reface DX programming tutorial voice "Wave Example" -To see the realtime waveform for this voice, check out https://youtu.be/jA109EoM5xo -To the the realtime spectrogram, check out https://youtu.be/CqZQ3K-Xg0k

Accompanying video for Reface DX voice "Wave Example" showing the realtime spectrum harmonic changes, as referenced in the FM Synthesis programming article on Yamahasynth.com You see the initial sawtooth wave harmonic series of all the integer harmonics (or overtones) created from Operators 1 and 2 with both Ops 1 & 2 frequency ratios of 1.00. Then as Op.2 level fades out, Operator 3 fades in set at a ratio of 2.00. The ratio of 1.00 for Op 1 and 2.00 for Op.3 creates a square wave timbre with only odd numbered integer harmonics, and the spectrogram shows the even harmonics fading out leaving just the odds. Finally, Op.3 fades out and Operator 4 fades in with a non-integer ratio of 4.77. The ratios of 1.00 for Op.1 and 4.77 for Op.4 creates non-integer overtones, and the spectrogram shows how these come in and create the non-integer (or inharmonic) overtones of a metallic/bell timbre.

Companion video for Yamaha Reface DX tutorial article example "Brass Tutorial Voice", a solo trumpet type sound

Accompanying video for Reface DX voice "Wave Example" showing the realtime wave shape changes, as referenced in the FM Synthesis programming article on Yamahasynth.com You see the initial sawtooth wave shape created from Operators 1 and 2 with both Ops 1 & 2 frequency ratios of 1.00. Then as Op.2 level fades out, Operator 3 fades in set at a ratio of 2.00. The ratio of 1.00 for Op 1 and 2.00 for Op.3 creates a square wave shape. Finally, Op.3 fades out and Operator 4 fades in with a non-integer ratio of 4.77. The ratios of 1.00 for Op.1 and 4.77 for Op.4 creates non-integer overtones, and thus the wave form shows the complex shape of a metallic/bell timbre.

Reface DX programming example showing the difference between changing operator Level vs operator Feedback

Emulating Yamaha Montage motion control style sounds using pure FM synthesis (no filters) on the Yamaha SY99

Tutorial voice 'Synth Bass Example' as referenced in the FM synthesis programming article series "Manny's Modulation Manifesto" on Yamahasynth.com

Tutorial video for the Reface DX voice "Lead Example" as referenced in the FM synthesis programming articel series on Yamahasynth.com

Tutorial video for the Reface DX example voice "Fixed Carrier Example" as discussed in the FM synthesis programming article series "Manny's Modulation Manifesto" on Yamahasynth.com This voice demonstrates the effect of using a fixed frequency Carrier Operator set at a very low sub audio frequency value to create a unique chorus/detune/phasing effect. Note: Audio is in mono. to hear demo example of this voice in stereo see https://soundcloud.com/manny-fernande...

Tutorial video for the Reface DX voice "Bad Transistor 2" as discussed in the FM synthesis article series "Manny's Modulation Manifesto" on Yamahasynth.com. This video demonstrates the concept of overmodulation.

Companion video for Yamaha Reface DX tutorial article example "Synth Brass Tutorial Voice", an analog style dual oscillator synth brass sound

Companion video for article 5 of the series "Manny's FM-Xpert eXamples" at YamahaSynth.com: https://www.yamahasynth.com/montage-c... Reviews utilizing realtime control of FM-X parameters to morph our Harmonic Component Modeled Piano sound into both subtle and extreme digital FM timbres. These morphs can be controlled in real time via the Tone & Assignable Knob, the SuperKnob and Motion Sequences. Also covers using Scenes to store settings of all those knobs for easy recall.

Tutorial video for the Reface DX voice "Octa Vio" referenced in the FM synthesis programming article series "Manny's Modulaiton Manifesto" on Yamahasynth.com . This voice highlights the difference in articulation and phrasing behaviors created by he Modulator Envelopes in mono mode vs. poly mode.