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Companion video for fourth article of Manny's FM-Xpert eXamples at www. YamahaSynth.com : https://www.yamahasynth.com/modx-cate... A key part of a convincing piano synthesis is emulating the effect the ineria of the keyboard mechanism has on the playing feel, as well as the correct time alignments of the noise, 'stuff' and harmonic components in the initai attack. This video covers the settings of Envelopes in the creation of these desired behaviors in the inital attack of our Harmonic Component Modeled piano sound. Additionally, shows realtime control of the envelopes to morph the sound.

Companion video for third article of Manny's FM-Xpert eXamples at www. YamahaSynth.com : https://www.yamahasynth.com/modx-cate... Reviews the behavior of harmomic amplitude with Modulator Level (Index) in FM compared to filtering in subtractive synthesis. Shows how to control harmonic amplitude in a detailed way by shifting individual Operator phase, using the Operator Pitch EG MIDI performance excerpts of Beethoven's Moonlight Sonata, again by Bernd Krueger @ www.piano-midi.de used under cc-by-sa license

Companion video for article 5 of the series "Manny's FM-Xpert eXamples" at YamahaSynth.com: https://www.yamahasynth.com/montage-c... Reviews utilizing realtime control of FM-X parameters to morph our Harmonic Component Modeled Piano sound into both subtle and extreme digital FM timbres. These morphs can be controlled in real time via the Tone & Assignable Knob, the SuperKnob and Motion Sequences. Also covers using Scenes to store settings of all those knobs for easy recall.